Courses:

Introduction to Western Music >> Content Detail



Study Materials



Readings

Amazon logo When you click the Amazon logo to the left of any citation and purchase the book (or other media) from Amazon.com, MIT OpenCourseWare will receive up to 10% of this purchase and any other purchases you make during that visit. This will not increase the cost of your purchase. Links provided are to the US Amazon site, but you can also support OCW through Amazon sites in other regions. Learn more.


Textbook


All the readings for this course come from the following textbook, abbreviated in the table below as "K":

Amazon logo Kerman, Joseph, and Gary, Tomlinson. Listen. 5th brief ed. Boston, MA: Bedford/St. Martin's Press, 2004. ISBN: 9780312401153.


Lec #TOPICSReadings
1Introduction; Music of the Middle AgesK. pp. xii-xvii, 1-19, and 54-69. Skim pp. 20-53.
2Renaissance and Early Baroque Music for Church, Chamber, and TheaterK. pp. 73-89 and 92-101.
3Baroque Instrumental Music: Suite, Concerto, and Fugue; BachK. pp. 104-107 and 111-148. Skim pp. 24-35.
4Baroque Vocal Music: Opera, Oratorio, and Cantata; HandelK. pp. 102-104 and 149-163.
5The Classical Symphony and Sonata: HaydnK. pp. 36-52 and 164-200.
6The Classical Concerto and Opera: MozartK. pp. 200-211.
7Midterm Exam
8From Classic to Romantic: BeethovenK. pp. 220-234.
9Romantic Songs and Piano Pieces: The Art of the MiniatureK. pp. 235-240 ("Romanticism"), 242-243 ("Style Features / Rhythm: Rubato"), 245-247 ("Forms in Romantic Music" / "Miniature Compositions"), and 249-262 ("The Early Romantics").
10Romantic Program Music and Opera: Fantasies on a Grand ScaleK. pp. 240-242 ("Concert Life in the Nineteenth Century"), 244-245 ("Expansion of Tone Color" and "Program Music"), 247-248("'Grandiose' Composition" and "The Principle of Thematic Unity"), 2-5 ("A March by Hector Berlioz"), 262-270 ("Early Romantic Program Music"), and 271-287 ("Romantic Opera").
11Late Romantic Orchestral Music: Looking Forward and BackK. pp. 240-242 ("Concert Life in the Nineteenth Century"), 243-245 ("Romantic Melody" / "Romantic Harmony" / "The Expansion of Tone Color"), and 288-307 ("The Late Romantics").
12The Twentieth Century: The European TraditionK. pp. 312-314 ("The Twentieth Century"), 315-328 ("Prelude: Music and Modernism"), 329-347 ("The Twentieth Century: Early Modernism"), 352-362 ("Alternatives to Modernism: Ravel and Bartok"), 366-374 ("The Late Twentieth Century: Ligeti"), and 379-381 ("Music at the End of the Century: Saariaho").
13The Twentieth Century: The American TraditionK. pp. 347-351 ("Modernism in America: Ives"), 362-365 ("Alternatives to Modernism: Copland"), 374-376 ("The Late Twentieth Century: Varèse, Cage), 377-378, 381-383 ("Music at the end of the Century: Crumb and Reich"), 384-397, and 400-417 ("Jazz and Beyond").
14Catch-up and Review


 








© 2017 CourseTube.com, by Higher Ed Media LLC. All Rights Reserved.