This course examines works of film in relation to thematic issues of philosophical importance that also occur in other arts, particularly literature and opera. Emphasis is put on film's ability to represent and express feeling as well as cognition. Both written and cinematic works by Sturges, Shaw, Cocteau, Hitchcock, Joyce, and Bergman, among others, are considered. There are no tests or quizzes, however students write two major papers on media/philosophical research topics of their choosing.
No quizzes or exams, but students are required to attend every class, (whether or not there are conflicting exams or study groups in other courses), arrive on time, and do the assigned reading for each weekly session. Attendance, lateness, class participation will be a factor in the final grade.Two papers are required: one, due on Session 9, will be at least 1500 words long (as indicated by the computer word-count on the first page) and consisting of an analysis of one or more week's class work on the list above and scheduled up to Session 9, plus some outside research. The second paper will be due on Session 12 and will deal in a more original way with a philosophical theme, as discussed in class with the instructor and approved by him. This paper will be at least 2000 words long (as indicated by the computer word-count on the first page). Both papers will be double-spaced (28 pts) and with a font of 14 pts.