| 1 | Introduction |
| 2 | DeLillo. Mao II. |
| 3 | Said. "The Essential Terrorist."
Lentricchia, and McAuliffe. "Groundzeroland."
Scanlan. Plotting Terror. Introduction. |
| 4 | Trotta, Von. Marianne and Juliane. (In-class review) |
| 5 | Elsaesser. "Antigone Agonistes."
Baumann. "How Everything Started." |
| 6 | Kleist. Michael Kohlhaas. |
| 7 | Wittkowski. "Is Kleist's Michael Kohlhaas a Terrorist?" |
| 8 | Fleming. "Propaganda by the Deed: Terrorism and Anarchist Theory in Late Nineteenth-Century Europe."
Bakunin. God and the State.
Kropotkin. "The Spirit of Revolt." |
| 9 | Conrad. The Secret Agent. |
| 10 | Jordan. The Crying Game. (In-class review) |
| 11 | Gillon. "The Desperate Shape of Betrayal." |
| 12 | Lessing. The Good Terrorist.
Scanlan. "Doris Lessing's The Good Terrorist."
Corrado. "The Evolution of the Irish Republican Army." |
| 13 | Fo. The Accidental Death of an Anarchist.
Wieviorka. "The Italian Phenomenon of Leftist Extremist Terrorism." |
| 14 | Rosi. Three Brothers. (In-class review) |
| 15 | Dürrenmatt. The Assignment.
Crockett. Understanding Friedrich Dürrenmatt: The Assignment. |
| 16 | Böll. The Lost Honor of Katharina Blum.
Corrado. "The History of the German Student Movement and the Birth of the Baader-Meinhof Group." |
| 17 | Richter. 18. Oktober 1977. (In-class viewing)
Grimonprez. Dial H-I-S-T-O-R-Y. (In-class review) |